Part buddy comedy and part existential nightmare, this heartfelt head-scratcher is really a showcase for Ayo Edebiri and the great Mary-Louise Parker.
not deserve Mary Louise Parker.
“Forever,” unsurprisingly, is a key word when you’re talking about a time loop, which is what Parker’s Zoya Lowe happens to be caught in. A writer of science textbooks on quantum physics and other eggheaded subjects, Lowe finds herself the last stages of dying. She’s been cursed with having a black hole inside of her — anblack hole, not just a metaphorical or symbolic one — and doctors have given her roughly a week before it simply sucks her into oblivion.
On the page, this sounds corny. On screen, rendered with an oft-kilter wit, a lot of wonderful interplay between Parker and Edebiri, and a smattering of quirky touches ,distinguishes itself among its fellow mini-genre entries. Blessed with the presence of Parker, however, this interesting tweak on the question “What if you had a week to live forever?” becomes something extraordinarily emotionally resonant.
There are so many little touches that Parker adds to this character, so many bits of acting in the present tense that don’t feel like acting at all, that it lifts this film up and imbues it with something unique: the feeling that you’re watching regret slowly transform itself into gratitude. The time loop concept is not an endgame, just a conduit to get to Parker doing what she does best.
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