His breakthrough role was as a young Mozart in Peter Hall’s Amadeus, opposite Suchet’s Salieri. Twenty-three years later, Sheen returns to the play for Sydney Opera House – this time as Mozart’s rival
There is much more freedom to explore when you’re playing Salieri. There’s a lot more room to try things out
“There is much more freedom to explore when you’re playing Salieri … there’s a lot more room to try things out.” “The thing with Mozart is that he’s a mirror to Salieri,” says Sheen. “Before Mozart came along, Salieri considered himself a risk-taker, a pioneering creative artist. Mozart introduces colours he hadn’t known before, concepts he wasn’t aware of. Mozart is an artist. Salieri is someone who has had a career.
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