'Nothing warms my heart more than to see local bands that cover both the indie and mainstream hemispheres of the local scene get major exposure on a daily basis in a segment provided for them in the best version of Eat Bulaga now.'
I was already a music aficionado when Hilera rose to fame; I got to see them perform a handful of times during those early years of their rise in the local scene; I got to purchase their first two CDs.
I can certainly relate to such joy and exhilaration because I had the same positive feelings when I was much younger when I would be able to watch live a few of the aforementioned bands during their gigs in the early-to-mid 2000s when there was an explosion of bands which period would be dubbed as the “Second Pinoy-Rock Boom”. Fortunately, a good number of them that have remained intact have become mainstays of the local scene and have reached iconic status.
If you think the quality of the bands that have been featured thus far in the new version of Eat Bulaga has been great, then imagine had it been during that past era, it would be like comparing night and day. Imagine then bands and artists like Hilera, Barbie Almalbis and Mayonnaise that are at least twelve years younger than now.I got to see these two bands that have been featured in the segment of the new Eat Bulaga when they were at their most youthful stage of their music careers.
For the youth now who got to see Barbie Almalbis perform yesterday, there was a time she was the biggest female artist in a band and that was when she was still with her band called Hungry Young Poets then, and eventually it became called Barbie’s Cradle. That is how successful the music career of Barbie Almalbis has been; it has spanned generations already.
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