A discussion exploring feminist perspectives on time, labor, and artistic creation through the works of internationally acclaimed visual artist Taniguchi, featuring a reading of Deleuze's concept of becoming and Braidotti's nomadic subjectivity.
offers feminist readings of time, labor and becoming in artistic practice at the Museum of Contemporary Art and Design of the De La Salle-College of Saint Benilde on Thursday, January 23.It is the first survey show of the internationally acclaimed visual artist which brings together some of her largest canvasses, key videos, objects, and site-specific commissions.
Her research interests lie at the intersection of feminist philosophy, gender studies, and gender development, with a particular focus on gender equality and AI. She is likewise deeply engaged in feminist post-structuralism and post-humanism, in an exploration of how these theories challenge traditional notions of identity, power, and technology.Domingo will provide another angle to view Taniguchi’s artworks.
The discussion will examine how repetitive, disciplined art-making externalizes gendered labor, and reframes it as an engagement with time and materiality.
FEMINIST ART ART LABOR BECOMING DURATION GENDER STUDIES
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