Apart from a few opening\u002Dnight misfortunes, the show works — and works well. Read our review.
Brian Deedrick’s production was technically savvy almost to the point of glitz: busy projections started with a cartoonish commentary during the overture and continued to the bitter end.
Dutchman isn’t rich in supporting roles, but tenor Wookyung Kim stood out as Senta’s somewhat whiny swain Erik. Kim possesses an attractive voice and threw himself into his part with enthusiasm. While he is not exactly miscast, he might be a better fit in Italian repertoire.Article content The idea of a young woman sacrificing her life for any man, ghostly or mortal, no longer speaks to audiences the way it did in the 1840s, but Owens got the job done. She was singularly effective in the second act with her ballad following the cute — well, for Wagner — Spinning Chorus, and disturbingly focused in her interactions with both Kim and Dahl.
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