Doyle says Charles has been ‘extremely generous’ at remaining hands-off and trusting everyone to do their job
That’s part of what the Oscar-nominated composer calls the “rollercoaster” he’s been on, ahead of hearing the finished work performed on the global stage of Westminster Abbey on Saturday, May 6. Doyle says the four-minute piece is a march to commemorate King Charles’ life so far, compiled of four identifiable sections. It moves from a “bold heraldic opening that’s ceremonial and full of pageantry,” to a pacey, Celtic-influenced march, he explains.
“He’s been brought up with marches, playing as part of that world that he inhabits, which is a unique world compared to the rest of us. But also, he loves the opera. He loves melody. He loves a memorable tune.” This was proven at a recent rehearsal, which was recorded and sent to King Charles. “Our work can die or live on the strength of minutiae, the detail and the love and attention it gets. But when they all played it, it was phenomenal. Some of the best musicians in the country, throughout the U.K. Fabulous. I was thrilled with it.”
The composer describes his relationship with King Charles as a “professional friendship,”. He says he was very nervous and intimidated to be asked because ‘it’s going to be shown in front of so many people, millions of people.”
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