The stories of devotees Noel Soriano, Eduardo Orais Jr., and Cedric Cruz show how faith, devotion, and sacrifice intertwine for the 'mamamasan,' sustaining a centuries-old tradition that continues to inspire millions
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The towering image of Jesus carrying a cross, made of dark wood, was brought from Mexico to the Philippines by Augustinian Recollect friars in the early 1600s. It was initially housed in the Church of San Juan Bautista in Bagumbayan before being moved to the Church of San Nicolas de Tolentino in Intramuros. By the late 1700s, it found its current home at the Minor Basilica and National Shrine of Jesus Nazareno in Quiapo.
A college graduate with no job experience, Soriano joined the procession, praying: “Please, can You give me a job? Any kind of work will do, I am not choosy.” Despite the seeming disorder, there is a rhythm. A whistle signals the lifting of the platform as those in front pull the ropes and others behind push. The procession moves forward slowly, repeating this process. Challenges arise when the rope twists into a figure “8” and risks breaking, which requires constant attention to keep it straight and taut.
Each year, after a grueling day, Orais returns home with dirty feet and a sore body. Yet, after a brief rest, his exhaustion lifts.
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