The Manila International Film Festival (MIFF) will host its second edition from January 30 to February 2, 2025, at the TCL Chinese Theatre in Hollywood, showcasing a diverse selection of films from the Philippines. The festival will feature screenings of recent winners from the 50th Metro Manila Film Festival, a landmark Filipino film celebrating its 75th anniversary, the world premiere of a drama-musical, and an advance screening of a Hollywood film directed by a Filipino American.
MIFF will be held from January 30 to February 2, 2025, with screenings at the TCL Chinese Theatre in the heart of Hollywood The Manila International Film Festival will follow up its successful first edition with screenings of the 10 entries, including the recent winners, of the 50th Metro Manila Film Festival .
They restart Papsy’s Panaderyuh, Home of the Original Kalil, a bakery shop and funeral parlor. The film pays tribute to the unsung heroes — OFWs — who carry the weight of their loved ones’ dreams on their shoulders.The movie follows notorious criminal Domingo Zamora and newly assigned correctional officer Javier Gonzaga, who strives to prevent Zamora’s release from prison.Woody has spent seven years traveling across the world to find a place to settle.
Set in the Kingdom of Kalayaan in the contemporary era in an alternate version of the Philippines where the islands were never colonized. It features the hierarchy of the Kaharian ng Kalayaan and Malayas.An ex-special forces operative who suffers from post-traumatic stress disorder, attempts to save a woman’s life whose life is being pursued by a corrupt police death squad working for a drug cartel.
After fighting for their love to conquer time, distance and a global shutdown that keeps them apart, Joy and Ethan meet again in Canada but realize that they have also changed a lot, individually.MIFF is proud to present a special advance screening of “Love Hurts,” the Hollywood feature directing debut of Fil-Am Jonathan Eusebio, starring Oscar and Golden Globe winners Quan and DeBose.
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