The Tony award winning production travelled a long path from its DIY origins in Vermont, to concept album, to stages in New York, Edmonton, London and finally Broadway
was paved, according to Anaïs Mitchell, with “coffee, wine and elbow grease.”is the Broadway musical that earned 14 Tony Awards nominations and won eight of them, including best musical and best original score. A touring production settles into Toronto’s Royal Alexandra Theatre for a limited run , before moving to Ottawa, Vancouver, Edmonton and Calgary.
“When I think of influential people I think mostly of big personalities, people who speak loudly and with authority,” Mitchell told The Globe and Mail in an e-mail interview. “I think of myself as quieter and dreamier than that. But allowing myself to dwell in the dream space ofThe musical’s ascension was unusual. At one point, Mitchell shelved it and rejigged it as a concept studio album that was released in 2010.
. “I could tell you stories like the government tells lies,” she sings in a voice that is girlish but dead serious. “Oh, but no one listens anymore.” The album was well-received critically, and while Mitchell considers it a “complete statement musically,” it is still a signpost in the musical’s evolution.
in Edmonton that went too far. “There were moments where we realized we’d broken the show,” Robinson said. “We had to get back to the original spirit of it, which is music and poetry first.”moved to London’s National Theatre before it finally made its debut on Broadway to rave reviews.
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