FILIPINOS are familiar with Korean culture. From K-pop to samgyupsal, Korea’s influence can be felt in many aspects of everyday life in the Philippines. As these cultural touchpoints continue to take root, so too does curiosity about Korea’s history and traditions increase.
, Korea’s influence can be felt in many aspects of everyday life in the Philippines. As these cultural touchpoints continue to take root, so too does curiosity about Korea’s history and traditions increase.
Answering this growing interest, the Korean Cultural Center of the Philippines officially openedon July 10 at its gallery in Taguig City. Running until Sept. 26, the exhibition features works that reinterpret thehas existed for centuries, evolving alongside Korean society. Its enduring presence is a testament to a tradition that has transcended dynasties, generations, and shifting cultural landscapes.is no longer a common sight in everyday life across Korea.
Today, having taken a backseat to modern fashion, appearing instead as a historical symbol or as a source of inspiration for contemporary designs. However, the one thing that has remained unchanged is its cultural significance. On opening day, exhibition curator Han Sang Ik led a tour of the show where theappeared in forms both familiar and unexpected.
Rather than displaying the traditional attire itself, the exhibition reimagines thethrough contemporary art, offering artists a platform to examine its history, symbolism, and continued relevance in modern society. There are paintings in oil and acrylic, AI single-channel videos, porcelain sculptures, an embroidered silk robe, and computer graphics — anything but the traditional garment itself.was reinterpreted — but certainly never replaced.
Theand its history serve as tools to explore new artistic values and possibilities by reimagining elements of traditional colors, patterns, and shapes. Presented in collaboration with private Korean museum Savina Museum of Contemporary Art, the exhibition brings together 18 artists whose works offer diverse interpretations of theand its enduring significance.
The participating artists are Kwon Ki Soo, Kim Chang Kyum, Kim Sun Mi, Kim Si Hyun, Nam Kyung Min, Yang Dae Wom, Lee Don Ah, Lee Bong Lee, Lee Seol, Lee Soo In, IUM, Lee Jung Geun, Lee Hoo Change, Jung Ha Yun, Ji Oh Choi, Lee Jong-ho, Lee Dong Ho, and Park Ji Seon. More than a showcase of contemporary art, however, the exhibit demonstrates how cultural traditions can evolve alongside modern society without losing their essence.
This idea of cultural continuity is precisely what the Korean Cultural Center hopes Filipino audiences will take away from the exhibition. Speaking with, Reya Buenaventura, public relations officer of the KCC, said that the exhibit is intended to serve as a source of inspiration for local viewers. By staging the exhibition, the team hopes to encourage contemporary interpretations of Filipino culture, emphasizing that “traditional aspects of culture can transcend modern times.
” “ doesn’t have to stay into one form or one piece, rather it can be represented through different forms, just like the artworks presented in this exhibit,” Ms. Buenaventura explains.demonstrates that tradition is a living source of inspiration — one that can be continually reimagined without losing sight of its roots. For Filipino audiences, the exhibition serves as both a window into Korean heritage and an invitation to look inward.
After all, preserving culture is not only about remembering the past, but also about finding new ways to be seen, understood, and appreciated. Exhibition is open to the public until Sept. 26, Mondays to Saturdays, from 9 a.m. to 4 p.m., at the 5F of the Korean Cultural Center of the Philippines, at 59 Bayani Road, Fort Bonifacio, Taguig City.
Philippines Latest News, Philippines Headlines
Similar News: You can also read news stories similar to this one that we have collected from other news sources.
FILIPINOS' CONTRIBUTIONS in Personal Equity and Retirement Nearly Fivefold from Last YearAs of the end of June, accumulated PERA contributions soared by 45.3% to P757.554 million from the P521.363 million recorded in the same period last year. Contributions from self-employed Filipinos more than doubled, while those from overseas Filipinos climbed by 18.12% annually. Meanwhile, the total number of PERA contributors ballooned by 385.31% to 30,055, with most enrollees being self-employed Filipinos.
Read more »
Seven in Ten Middle-Class Filipinos Financially Anxious, FWD Report RevealsA report by FWD Philippines finds that 68% of middle-class Filipinos experience persistent financial anxiety due to rising living costs, medical expenses, and retirement concerns, with many prioritizing immediate needs over long-term savings and seeking financial stability over wealth accumulation.
Read more »
Is Scarborough fair? Bajo de Masinloc continues to be a litmus test for the rule of lawRECENT NEWS of a Chinese research vessel towing, according to Philippine authorities, a movable platform out and back into Scarborough Shoal (Bajo de Masinloc) should be a cause for alarm for Filipinos.
Read more »
Filipinos shift to social media as trust in news declinesFilipinos are increasingly getting their news from social media, video platforms and algorithm-driven feeds instead of traditional news outlets, a shift that has contributed to declining trust in news, according to VERA Files co-founder and University of the Philippines professorial lecturer Yvonne T. Chua.
Read more »




