Horror can expose social ills, collective moral rot, and give poignant commentary on grief. It can also be fun, frightening, and refreshingly low-stakes. But it can be a hard genre to master.
In the difficult economics of present-day Hollywood one genre has risen as the place to take a chance: horror. Relatively cheap to make—while still best experienced in a theater—horror has become one of the few places to tell stories without capes and tights. No one has shepherded the genre better than Jason Blum, creator of Blumhouse Productions, who standardized the low-budget/high-return model that gave us "Paranormal Activity," "Split," and the lauded "Get Out.
"14 Cameras" was less critically successful than its predecessor and received flack for conflating voyeuristic horror with the general objectification of its actors.- IMDb user rating: 4.6Jim Gillespie didn't quite recapture the frightening fun of his 1997 classic. In "Venom," a group of teenagers in Louisiana is pursued by the possessed, snake-bitten body of one teen's biological father.
The film stars Lucy Hale as one of several visitors to the luxurious island, where they're granted the opportunity to live out their wildest fantasies. Naturally, things go terribly awry in what might be one of the clunkiest franchise reboot attempts in recent years.
A film is never going to work with a killer named Goodnight. It would be four years until Kane realized his acting potential, portraying Tanker Lutz in "MacGruber."- IMDb user rating: 4.9"The Darkest Hour" tells the story of two software designers, their two love interests, and their shady partner, all of whom may be the last survivors after an alien attack on the power grid.
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